Studio & Recording / Studio Monitors

Neumann KH150 Two Way Nearfield Monitor - Pair

Rs.279980.00

The KH 150 is a powerful bi-amplified studio monitor with reference-class performance. Its 6.5” woofer in a bass reflex cabinet provides stunning low end and high SPL capability with undiminished clarity. DSP controlled electronics ensure linear phase response and allow for room-adaptive calibration via Neumann’s revolutionary MA 1 Automatic Monitor Alignment.




₹ 258000.00
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The KH 150 is a powerful bi-amplified studio monitor with reference-class performance. Its 6.5” woofer in a bass reflex cabinet provides stunning low end and high SPL capability with undiminished clarity. DSP controlled electronics ensure linear phase response and allow for room-adaptive calibration via Neumann’s revolutionary MA 1 Automatic Monitor Alignment.

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Product Information

NEUMANN ACCURACY, SERIOUS BASS AND POWER TO SPARE

The KH 150 is a powerful bi-amplified studio monitor with reference-class performance. Its 6.5” woofer in a bass reflex cabinet provides stunning low end and high SPL capability with undiminished clarity. DSP controlled electronics ensure linear phase response and allow for room-adaptive calibration via Neumann’s revolutionary MA 1 Automatic Monitor Alignment.

KH-150-Macro6_Neumann-Studio-Monitor_GKH-150-Macro5_Neumann-Studio-Monitor_G    KH-150-Input_Neumann-Studio-Monitor_G    KH-150-Controls_Neumann-Studio-Monitor_GKH-150-Back_Neumann-Studio-Monitor_G

 

 

WHAT YOU HEAR IS WHAT YOU GET

The KH 150 follows the same philosophy as all Neumann studio monitors: highest linearity, lowest distortion, no coloration, and perfect adaptability to any acoustic environment. It allows you to hear every nuance of your tracks. Mixing becomes so much faster and easier, once the guesswork is over. And more creative, too: Sounds genius, but can I get away with that? Is that vocal bright or sibilant? Is it too much bass? The KH 150 will tell you. Honestly.

ONE BIGGER

What differentiates the KH 150 from its smaller siblings is its deeper bass response down to 39 Hz. That’s almost as low as the larger KH 310, thanks to the KH 150’s novel 6.5” high-precision woofer in a carefully designed bass reflex cabinet. The KH 150 is thus ideally suited to urban music, EDM, film scoring, and all styles that require extended low end and/or elevated listening levels. Thanks to powerful amplifiers (145 W/100 W) and sophisticated protection limiters, no clarity is lost even at high SPLs. But, being a true universalist, the KH 150 works just as well for everything from rock to classical music, broadcast applications and voice-over work.

The KH 150 has an exceptionally linear frequency response from 39 Hz to 21 kHz (±3 dB). Not only that: It also linearizes the phase response! Which translates to clear mids with astonishing transparency as well as extreme accuracy in the time domain: precise impulse reproduction and finely resolved reverbs. This is made possible by DSP controlled electronics which allow for sophisticated crossovers avoiding the phase distortion caused by analog filters. The internal DSP also realizes new standards in tonal consistency. The KH 150 is made to extremely low tolerances of no more than ± 0.8 dB! And you can hear it, too: Stereo imaging is razor-sharp.

READY FOR YOUR ROOM

Even the best loudspeaker only sounds as good as the acoustic environment allows. Neumann’s Mathematically Modelled Dispersion™ (MMD™) waveguide guarantees a wide sweet spot and minimizes desk reflections. But the KH 150 goes much further: Its internal DSP allows for room calibration via Neumann’s revolutionary Automatic Monitor Alignment. MA 1 (sold separately) makes sure your DSP powered monitors are optimally adapted to the character of your room and perfectly calibrated for your listening position. Even in acoustically treated rooms, this results in a huge improvement.

Tonal compatibility with other KH line studio monitors makes it possible to use the KH 150 in mixed setups e.g. in surround/immersive setups. For flexible connectivity the KH 150 features both analog and digital inputs.

AES 67 – AUDIO OVER IP

Additionally, the KH 150 AES67 model variant offers integrated redundant AES67 audio network ports that are fully compliant with broadcast standards such as ST 2110, ST 2022-7 redundancy, and RAVENNA. At the same time, the KH 150 AES67 is compatible with DANTE®-generated AES67 network streams.

ENERGY EFFICIENT

Neumann engineers took great care to develop a patent pending amplifier technology which combines superior audio performance with the energy efficiency of Class D. Although the KH 150’s amplifiers deliver up to 145 W to the 6.5” woofer and 100 W to the 1” tweeter, they only consume 17 W at idle. Auto-standby reduces power consumption to 0.3 W when the KH 150 has not been used for a while, but can be deactivated.

MOUNTING OPTIONS

Most of the KH 120 accessories also fit the KH 150, with the exception of the LH 65 table stand, which is available in a slightly larger version in the form of the new LH 66 (Cat. No. 700258). The LH 61 (L bracket) was updated, because the KH 150 is a bit heavier/larger than the KH 120 and the LH 64 (VESA mount) was adjusted to allow access to the controls of the KH 150. The order numbers here are unchanged.

All mounting options can be found in our updated Monitor Mounting Matrix. At a later date we will also update the Monitor Accessory Finder.

The KH 150 is available in two color options, anthracite and white.

FEATURES:

  • High-precision drivers, Mathematically Modelled Dispersion™ (MMD™) waveguide
  • Linear frequency response 39 Hz … 21 kHz (±3 dB)
  • Linear phase response 105 Hz … 16 kHz (± 45°) with latency < 2,6 ms
  • DSP engine allows for room adaptive calibration via Neumann’s MA 1
  • Razor-sharp imaging due to extremely low tolerances (± 0.8 dB)
  • May be combined with other KH line speakers in immersive/surround setups.

 

 

 TECHNICAL DATA

Free field frequency response ±6 dB

36 Hz ... 21 kHz

Free field frequency response ±3 dB

39 Hz ... 20.4 kHz

Pass band free field frequency response

42 Hz … 20 kHz, ±1.25 dB

Free field frequency linearity deviation between 100 Hz and 10 kHz

±0.8 dB

Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu)

<20 dB(A) SPL

Sine wave output with a THD < 0.5 % at 1 m in half space

95 dB SPL (>75 Hz)

Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz)

118.7 dB SPL

Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz)

112.7 dB SPL

Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz)

107.5 dB SPL

Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions

108 dB(C) SPL

Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range)

100 dB(C) SPL

Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer)

106 dB(C) SPL

Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range)

88 / 94 dB(C) SPL

Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair with subwoofer)

88 / 94 dB(C) SPL

Dolby D.A.R.D.T. Max SPL fullrange

114 dB

Dolby D.A.R.D.T. Max SPL bass managed

120 dB

Recommended Listening Distance

1.0 … 2.5 m; (3'… 8')

Feasible Listening Distance

0.75 … 6.0 m; (2'6"… 18')

Acoustic principle

Bassreflex, Ports at the front

Analog input(s)

XLR: analog electronically balanced

Analog input impedance

24 kOhms

Max. input level

+24 dBu for 94 dB SPL setting; +14 dBu for 100 dB SPL setting; +9 dBu for 108 dB SPL setting; -1 dBu for 114 dB SPL setting

Common mode rejection ratio (CMRR)

>56 dB @ 15kHz

Volume control

via MA 1 software

Volume control range; resolution

0 … -∞ dB; 0.1 dB

Analog dynamic range; THD+N

118 dB, A-weighted, 90 dB

Signal routing modes

analog, S/PDIF L, S/PDIF R, S/PDIF mono

Digital input(s)

RCA (75 Ω): S/PDIF

Digital output(s)

RCA (75 Ω): S/PDIF

Max. Input Level; pk-pk, unbalanced / balanced

1.2 V

Digital converter: resolution; design

24 Bit

Digital converter: sampling rate

32 kHz..200 kHz

Digital internal sampling rate

48 kHz

Output sample rate

identical to input sample rate

Latency ADA / DA

Analog Input: 2.6 ms; SPDIF Input: 2.1 ms

Delay: User adjustable delay range

0 … 120 ms

Delay: Resolution: time; distance

20.8 µs

Delay: Max. frames Audio-video synchronisation (lip sync)

0 … 120 ms for TOF=0ms, depends on APP implementation

Delay: Time-of-flight maximum distance

0 … 120 ms for lipsync=0ms, depends on APP implementation

Output level control (output level in 1 m based on 0 dBu input level)

94; 100; 108; 114 dB SPL

Input gain control (sensitivity)

0 dB ... -15 dB

Transport/storage conditions

-25° C to +60° C (-13° F to 140° F); <90% RH; non-condensing

Equalization: Treble

+1; 0; -1; -2 dB

Equalization: Low-Mid

0; -2; -4; -6 dB

Equalization: Bass

0; -2; -4; -6 dB

Input selector

Analog; S/PDIF L; S/PDIF R; Mono

Ground Lift

Yes

Control

Local; Network

Mains Switch

Yes

Mains Voltage Select

Universal Power Supply 100 V~ … 240 V~

Controller design

Digital; active

Crossover frequency

1700 Hz

Crossover slope

24 dB / octave

Equalization: via Neumann.Control software

No

FIR phase correction

Linear phase (105 Hz ... 16 kHz; +/- 45°)

Protection circuitry

Independent soft clip, peak and thermo limiters for woofer and tweeter; Woofer excursion limiter; thermo limiter for the electronics and amplifiers

Infrasonic filter: frequency; slope

38 Hz; 12 dB / octave

Remote control

MA 1 software via an RJ45 connector carrying standard IP data

Display: On; Normal Operation

Neumann logo “White”

Display: Identification

Neumann logo “Rosé”

Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute

Neumann logo “Red”

Logo Brightness

via MA 1 software

Output power woofer amplifier (THD+N with limiter deactivated: 10%)

145 W

Output power tweeter amplifier (THD+N with limiter deactivated: 10%)

100 W

Output power woofer amplifier (THD+N with limiter deactivated: 0.1%)

120 W

Output power tweeter amplifier (THD+N with limiter deactivated: 0.1%)

80 W

Mains Power Supply: input voltage; frequency

100-240 V; 50/60 Hz

Power consumption (230 V / 100 V): Standby

0.3 W

Power consumption (230 V / 100 V): Idle

15 W

Power consumption (230 V / 100 V): Full output

320 W

In-rush current (Peak)

33 A

Standby

automatic, 90 mins (default); user defined in software

Cabinet material

Composite polycarbonate front and rear, wooden sleeve

Cabinet surface finish; color (front / back)

Painted; metallic anthracite (RAL 7021) / Black (RAL 9005)

Operating conditions

+10° C to +40° C (+50° F to +104° F); <75% RH, non-condensing

Woofer

165 mm; (6.5") with protecting black metal grille

Tweeter

25 mm; (1") with protecting black metal grille

Mounting points

2 x M6 threaded inserts with 70 mm spacing on back panel; thread depth 15 mm; (5/8”)

Product dimensions (height x width x depth)

345 x 225 x 273 mm; (13.58" x 8.86" x 10.75")

Internal net volume

12.6 l

External net volume

20.4 l

Packed dimensions (height x width x depth), mm (inches)

480 x 303 x 403 mm; (18.9" x 11.9" x 15.9")

Product weight

8.0 kg; (17 lbs 10 oz)

Packed weight

9.4 kg; (20 lbs 12 oz)

Packaging weight inc. Cables and manuals

1.41 kg; (3 lbs)

Packed cube

0.059 m³; (2.08 ft³)

 

DIAGRAMS

KH 150 - MAXIMUM SPL AT 1 M

KH 150 - Maximum SPL at 1 m

KH 150 - PHASE RESPONSE

KH 150 - Phase response

KH 150 - SPECTROGRAM

KH 150 - Spectrogram

KH 150 - BASS, LOW-MID AND TREBLE ACOUSTICAL CONTROLS

KH 150 -  Bass, Low-Mid and Treble Acoustical Controls

KH 150 - FREQUENCY RESPONSE

KH 150 - Frequency Response

KH 150 - HARMONIC DISTORTION AT 80 DB SPL

KH 150 - Harmonic Distortion at 80 dB SPL

KH 150 - HARMONIC DISTORTION AT 85 DB SPL

KH 150 - Harmonic Distortion at 85 dB SPL

KH 150 - GROUP DELAY

KH 150 - Group Delay

KH 150 - HARMONIC DISTORTION AT 90 DB SPL

KH 150 - Harmonic Distortion at 90 dB SPL

KH 150 - HARMONIC DISTORTION AT 95 DB SPL

KH 150 - Harmonic Distortion at 95 dB SPL

KH 150 - VERTICAL DIRECTIVITY

KH 150 - Vertical Directivity

KH 150 - HORIZONTAL DIRECTIVITY

KH 150 - Horizontal Directivity